Edmonton-born-and-raised artist Christopher James has always been fascinated by the intersection of the natural and built environments.

Before dedicating himself to art full time, James’ path was as multifaceted as his creations were. With a background in mechanical engineering, he’s worked across industries — from software development to building engineering, solar energy, and even social services. But long before any of that, his creative foundation was laid in his grandfather’s studio, who was a professional watercolour artist.

“He taught me how to paint, draw, and work with wood,” he said. “Those early lessons are still in everything I make.”

It wasn’t until September of 2024 that James decided to formally step into the role of a full-time artist. Drawing from his lifelong love of woodworking and an interest in nature, he began experimenting with techniques that merged fine art and craftsmanship — carving, burning, and painting wood surfaces to create pieces with texture and multi-dimensional elements.

His latest artwork, now displayed at the BILD Edmonton Metro office, captures this: a textured, tactile expression of the heart of Edmonton — the river valley — carved and painted into layers of locally sourced wood.

“I’ve always had a love for the outdoors and nature,” James explained. “Almost all natural things, like rocks, trees, and plants are textural. For me, the language of my art speaks to the somatic experience of connecting with nature and looking at the subtle details, like ripples on water, bark on a tree, or sand shifting beneath waves.”

To bring the vision to life with piece for BILD, James merged two distinct techniques — the angle grinder and chainsaw — to symbolize the harmony between the structured geometry of city grids and the natural flow of the North Saskatchewan River. The work features charred wood textures, representing contrast and resilience, while the deep ultramarine blue cuts through the composition like the river itself.

“Ultramarine blue doesn’t show up in nature often,” he said, “but when it does, it’s so potent and saturated, like deep ocean hues.”

The piece, his largest to date, was built entirely of spruce and pine, the same woods used in countless Edmonton homes. This detail plays a part in the connection to the building and land development industry, and the fabric of the city itself.

“I chose these materials because this wood feels special to me. It’s what builds our homes and the places we enjoy,” he said.

“We were fortunate to collaborate with a talented local artist to bring our members’ lounge to life,” said Jason Syvixay, Vice President of Strategy & Operations at BILD Edmonton Metro. “We love how the colour play extends beyond the river — it’s a creative nod to what makes BILD Edmonton Metro unique: we’re not afraid to colour outside the lines.”

While James primarily sells his work at local art markets, he’s often drawn to collaborations with businesses and community spaces. “I was so excited to contribute this piece to BILD, and I’m excited to continue making art with intention and purpose: to enhance the spaces we inhabit in Edmonton,” he added. “It’s a new way for me to contribute to the city I love.”

To learn more about Christopher’s art or inquire about a commissioned piece, visit his website at www.christophermade.com.